Visual forms function as languages, conveying meaning and allowing the audience to intuitively understand the content being communicated, even without using words.

In Project 1, we will create static forms based on a set of prompts across media and will create a typeface. A series of workshops is designed to foster the development of abstract (non-representational) forms within a short timeframe. Engaging in this process will enhance your familiarity with both the graphic design language and essential design software. The outcomes produced in Project 1 will undergo further development in subsequent projects, serving as the primary content for upcoming projects.












In Project 2, we will transform the forms created in Project 1 into practical design work applicable in real-world graphic design scenarios.

For the primary project, we will convert these forms into a poster announcing the event, Multiple Formats. How you incorporate the forms into your poster—whether as a title font, graphic elements, or the physical form itself—is open to your creative interpretation. With the exception of the requirement that it must include the specified information, there are no limitations on the format such as size or printing method. However, your final outcome should visually convey your personal interpretation of how “Multiple Formats” is defined and understood.

For the side project, we will design a form guideline book showing how their creation process were undertaken so that you can reproduce your work for future projects. The decision on which forms from Project 1 to include depends on you. As a way to engage with the audience outside of class, we will organize a table and showcase your publication at Multiple Formats.

✂︎-------------------------------------------
[Feb 27 Tue]: BUGD Alumni Panel

Zoom link: https://bostonu.zoom.us/j/98362030668?pwd=cldIV0RrYThjMklJbXVMamVQTU5MUT09

Passcode: 742729

[SESSION 1]: 12:30 - 1:30
Mary Pyrdol
Jay Li
Emily Knobloch
Emma Snavely
Angela Lian
Mariana Velasquez
Hannah Hong
Jayna Mikolaitis
Nell Sheridan

[SESSION 2]: 3:30 - 4:30
Crystal Sealey
Natalie Bolton
Faith Garcia
Gregory Bond
Andreina De La Blanca
Lauren Had
Geo Ferrari


✂︎-------------------------------------------
[Feb 22 Thu]: Please check my email !

- Riso Printing Workshop: Riso Printing Room (808, 4th Floor)
- Group Discussion: Our Classroom (855, Room 500)


[A1]

[Group 1] Adrienne, Aria, Liz, Sofia
12:30 - 1:20 Riso Printing Workshop
  1:20 - 2:00 Group Discussion

[Group 2] Anya, TK, Yingxuan, Allison
12:30 - 1:10 Group Discussion
  1:20 - 2:10 Riso Printing Workshop

[Group 3] Katie, Anastasia, Tyler, Teresa
  1:20 - 2:00 Group Discussion
  2:10 - 3:00 Riso Printing Workshop


[B1]

[Group 1] Taylor, Brian, Augie, Isaac
3:30 - 4:20 Riso Printing Workshop
4:20 - 5:00 Group Discussion

[Group 2] Anne, Megan, Steph, Sua
3:30 - 4:10 Group Discussion
4:20 - 5:10 Riso Printing Workshop

[Group 3] Lia, Jacque, Janet, Yuting
4:20 - 5:00 Group Discussion
5:10 - 6:00 Riso Printing Workshop


✂︎-------------------------------------------
[Feb 20 Tue]

Welcome Mary !

 \ ☻ /
    |
  /  \

✂︎-------------------------------------------
[Feb 13 Tue] 🌪

Due to the storm, classes on Feb 13 are canceled.
The Riso workshops scheduled for tomorrow will be conducted next Thursday (Feb 22).

We will see you this Thursday (Feb 15) in our classroom.
Please check my email!

- Halim

Static Form & Message

|











For Project 3, we will create another form guideline, but arranged as a (minimum) one-page website providing further explanations about your forms. In contrast to Project 2, this project utilizes dynamic forms, including motion forms created with After Effects and interactive forms that change their shapes based on the user's mouse scroll. You havgenerate entirely new ones to create dynamic forms.

Additionally, we will learn how to turn your form-making process into Photoshop and Illustrator Actions. It is encouraged to upload the completed Action files to your website so that visitors can download them and try your form-making processes.

✂︎-------------------------------------------------------
[April 30 Tue]: Sophomore Reviews !

[ ~ 1:00] Session 1 Installation

[1:00 - 2:00] Session 1 Reviews
- Yingxuan (355)
- Anya (355)
- Brian (355)
- Isaac (355)
- Janet (355)
- Lia (355)
- Megan (357)
- Sawyer (357)
- Sofia (357)
- Taylor (357)
- Teresa (357)
- TK (357)

[2:00 - 2:15] Session 1 Deinstallation + Session 2 Installation

[2:15 - 3:15] Session 2 Reviews
- Adrienne (355)
- Anastasia (355)
- Anne (355)
- Aria (355)
- Augie (355)
- Jacque (355)
- Katie (357)
- Liz (357)
- Steph (357)
- Tyler (357)
- Allison (357)
- Yuting (357)


✂︎-------------------------------------------------------
[April 23 Tue]: Final Presentation !

✿ Prepare slides for the presentation
✿ Your website must include a description of your site
✿ Submit your website URL before the final class begins


✂︎-------------------------------------------------------
[April 11 Thur]: Artist Talk with Jisung Park

Section A1
12:30 - 02:20 Individual Meeting
02:20 ~ Jisung’s Lecture!

Section B1
03:30 - 03:35 Break
03:45 - 04:25 Jisung’s Lecture!
04:25 ~ Individual Meeting


✂︎-------------------------------------------------------
[April 9 Tue]: Presentation (5 min) + MFA Exhibition

Section A1

12:30 - 01:30 Presentation (5 min) | share your current progress
01:30 - 02:10 Individual Meeting (TBD)
02:10 - 02:40 Move to 808 + Deinstall your Multiple Formats poster
02:40 - 03:10 MFA exhibition visit

Section B1

03:30 - 04:00 MFA exhibition visit (We will meet up at the 808 Gallery!)
04:00 - 04:30 Deinstall your Multiple Formats poster + Move to classroom
04:30 - 05:10 Individual Meeting (TBD)
05:10 - 06:10 Presentation (5 min) | share your current progress

BU Spring 2024

Sophomore Graphic Design —
Form, Communication

CFA AR 226

CREDIT 4
Location: Room 500 (855 Commonwealth Ave)


  • Instructor


  • Office Hours
  • Sat 1:00 — 5:00 pm
    by appointment

  • A1 |
  • B1 |

  • Tue/Thur 12:30 — 3:15 PM
  • Tue/Thur  3:30 — 6:15 PM

  • TA |



Description

Students will investigate how ideas and messages can be interpreted visually through a variety of projects. Form--content relationships will be the context for all projects. Students will study the broad concepts of denotation and connotation through projects including information design, communication through proxy and juxtaposition and communication through symbols, metaphor and metonymy. Static and dynamic design solutions will be explored. Open to undergraduate sophomore graphic design students. This is a required course for graphic design majors.



Learning Outcomes

  • Translate the subject matter into diverse and unique visual forms
  • Develop methodologies for creating forms and establish their own visual repositories across media
  • Improve abilities to produce visually refined outputs
  • Familiarize themselves with essential graphic design software
  • Collaborate to develop a semester-wide research archive


Required Supplies & Courseware

  • Laptop
    +



Materials & Cost

  • Project 1 and Project 2 require payment for printing





Disability Statement

Students who have self-identified, provided documentation of their disability, and requested reasonable accommodations may be entitled to receive approved modifications in the classroom, appropriate academic adjustments, or auxiliary aids that enable them to participate in and benefit from all educational programs and activities. Please see http://www.bu.edu/disability for more details.



Attendance & Absences

Please make every effort to arrive punctually. You must attend all the classes. According to the SVA Attendance Policy, unless specific permission for absence is arranged with the instructor of this course, students must attend class to receive credit for the course. Unexcused absences exceeding 1/4 of the total class hours in a given semester are considered excessive in all SVA courses. Tardiness and any unexcused absences will reduce your course grade. Three unexcused absences will reduce your semester grade by one step (e.g. A- to B+). Seven unexcused absences will earn you a failing grade for the course.



Project Submission

All projects should be uploaded to the class Google Drive by the date specified in the class schedule. December 15 is the last day to upload all project files and materials. Files uploaded after this date will be rejected for your semester grade.



Wellness and Health

Your health and well-being are important for your journey as a professional graphic designer. It is important to work hard and balance that with rest, self-care, and attention to your mental and physical health. I will challenge you in this class through assignments, activities, and discussions. However, the work in this class should not be at the expense of your well-being. If for any reason you are struggling to find balance in your work life and health/wellbeing, please reach out. I am happy to discuss ways in which this class can support you in your learning and growth. You can find more resources provided by BU CFA Mental Health & Wellness Resources.



Project 1: Form Making Workshop & Typeface

Visual forms function as languages, conveying meaning and allowing the audience to intuitively understand the content being communicated, even without using words.

In Project 1, we will create static forms based on a set of prompts across media and will create a typeface. A series of workshops is designed to foster the development of abstract (non-representational) forms within a short timeframe. Engaging in this process will enhance your familiarity with both the graphic design language and essential design software. The outcomes produced in Project 1 will undergo further development in subsequent projects, serving as the primary content for upcoming projects.






Project 2: Static Form & Message

In Project 2, we will transform the forms created in Project 1 into practical design work applicable in real-world graphic design scenarios.

For the primary project, we will convert these forms into a poster announcing the event, Multiple Formats. How you incorporate the forms into your poster—whether as a title font, graphic elements, or the physical form itself—is open to your creative interpretation. With the exception of the requirement that it must include the specified information, there are no limitations on the format such as size or printing method. However, your final outcome should visually convey your personal interpretation of how “Multiple Formats” is defined and understood.

For the side project, we will design a form guideline book showing how their creation process were undertaken so that you can reproduce your work for future projects. The decision on which forms from Project 1 to include depends on you. As a way to engage with the audience outside of class, we will organize a table and showcase your publication at Multiple Formats.






Project 3: Dynamic Form & Information

For Project 3, we will create another form guideline, but arranged as a (minimum) one-page website providing further explanations about your forms. In contrast to Project 2, this project utilizes dynamic forms, including motion forms created with After Effects and interactive forms that change their shapes based on the user's mouse scroll. You have the flexibility to use either existing forms from Project 1 or generate entirely new ones to create dynamic forms.

Additionally, we will learn how to turn your form-making process into Photoshop and Illustrator Actions. It is encouraged to upload the completed Action files to your website so that visitors can download them and try your form-making processes.






Grading

  • Course assignments & Projects: ideation, visual ability, final deliverables
  • Depth & Breadth: subject research, willingness to experiment
  • Class participation & Contribution



Grades included in the GPA

  • A
  • A −
  • B +
  • B
  • B −
  • C +
  • C
  • C −
  • D
  • F
  • 4.000
  • 3.700
  • 3.300
  • 3.000
  • 2.700
  • 2.300
  • 2.000
  • 1.700
  • 1.000
  • 0.000